2021年5月铜场计划将联合杭州本地多个展览空间做联动型展览。本次未知向量展览邀请了中国美术学院当代艺术与社会思想研究所的四位年轻策展人作为策展团队。他们将与铜场的成员以及参与的艺术家共同构建起多个相互独立却又以某种方式相连结的展览及平行活动。

/ 策展团队

陈南汐

本科毕业于中国美术学院，

关注视觉文化研究。

奚天豪   

本科毕业于南京艺术学院，

   目前在策展系学习怎么不做一个策展人，

研究方向为动物与动物园。

谢雯

本科毕业于中国人民大学，

关注艺术、文化研究、性与性别。

段馨

本科毕业于中国美术学院，

目前研究方向聚焦于日常，

近期参与策划“青山行不尽——唐诗之路艺术展”(2020）。

/ 征集内容

一、征集范围

艺术家：在读或曾就读于中国美术学院的正在从事创作的青年艺术家，同时期待跨学科、跨领域、跨专业的艺术家参与。

作品：征集内容不限定作品形式，包括雕塑、装置、绘画、影像、声音、行为、剧场、小说、设计方案、手稿…….

二、项目时间节点

1、1月20日至2月20日为作品征集时间，请将个人作品集、简历、作品完整方案（包括小组、集体项目）投递至铜场官方邮箱（单个文件需低于50M)（tproject2017@sina.com),标题备注“未知向量”。已投递过作品集的可投稿更新内容；

2、2月20日至2月28日期间我们会将投稿结果以邮件形式统一回复；

3、3月1日至4月20日展览方案将会以具体形式落实到具体空间；

4、展览暂定开幕时间为5月15日。

T-PROJECT｜

exhibition Unknown Vector

works collection opened

The Unknown Vector exhibition will be held in cooperation with the T-project and other local exhibition centers in Hangzhou on May 2021. By this time, the curatorial team will be composed of four young curators from the Institute of Contemporary Arta nd Social Thoughts(ICAST) of the China Academy of Art, together with the members of T-project and the participating artists, they will create multiple exhibitions and parallel events that are independent but in some way linked.

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How do we see microscopic things with our eyes?

Can the artworks be sighted in the dark?

How could artists capture and materialize the "moment"？

As for the micro, we cannot   regard it as the opposite of the macro simply.

The micro world is someplace between nature and culture and it can also be the slice of time and space.

People wait for the "quark" to be broken day after day. What is the end of the micro-world…

X

What's the difference between a hand and a pen, a graver, a keyboard, a glove?

Would these tools become useless if our hands disappear? Is the hand a meta-tool/meta-medium? Under what circumstances will the tools that belong to hand may disappear?

The hand is so light and skillful. The hand is an organ with nerves which could deliver conceptual information and mood information as a signifier. We obtain stimulus signal and get pleasure by hands. We touch each other and ourselves   to relate.

Can we ignore how the hand form our worldview? Please percept and use ——the neurotic hand, the hand like string of destiny, the invisible but working hand......

O

If artist's creation corresponds to the birth of art,   how the dying of art to be brought out into the reality?

Art is bound to be void, and the funeral of it should make the void peacefully happen.

But Dadaists were burning the artworks, also some artworks were thrown into a dustbin just as signifier, which only brought about new artistic forms. We are still seeing artworks trapped in being the art.

/ Team of Curators